Filtering by Tag: The Field Museum

What the Fish? Episode 16: Youth Design Team

So, how did you get your jobs?

Becoming a scientist or working in science is never a straight forward path: appreciation of the natural world, hobbies, high school jobs, science fiction and random life events all come into play. We discuss these sinuous paths into science with a special live audience, The Field Museum's Youth Design Team summer interns.  We hope that our stories were a source of science and fishy inspiration!

Youth Design Team

The Youth Design Team (YDT) is part of the TakeThe Field programs here at the Museum and is designed in collaboration with the Pearson Foundation's New Learning Institute. YDT takes teens behind the scenes to interact with scientists, designers, media producers, researchers and other teen volunteers like themselves. Teens hear firsthand what it is like to roam the plains of Africa and tromp through the forests of South America. In addition, they participate in the process of designing an exhibit from scratch!

What the Fish? Episode 15: Exploring Collection-Based Research

Episode 15: Exploring Collection-Based Research

In our last episode, we discussed the role of collection data for scientific investigation. In this episode, we explore the value of the research on museum specimens and artifacts themselves, focusing on the use of specimen examination and evolutionary hypotheses to better explain the natural world. To help us discuss this topic, we are pleased to be joined by Dr. Peter Makovicky, The Field Museum's own Curator of Dinosaurs and Chair of the Department of Geology. Phylogenies (a hypothesis of how life is related evolutionarily) are crucial for predicting the distribution of incompletely studied organismal characteristics ranging from the presence of venom in fishes, to feathers on dinosaurs, or how the anatomy of eyes change in the deep sea as a result of selective pressures. In other words, knowledge of the evolutionary relationships of life allows for effective predictions about the unstudied characteristics of species. Museum collections are a critical component of this work, from the initial collection of samples used to infer our hypotheses of how life is related (e.g., whole specimens, tissues used to extract DNA for genetic work) to our ability of accessing this material again to test and explore evolutionary hypotheses.

An example of the biological questions we can explore in this manner is tracing the evolution of venomous fishes. By looking at venomous fishes from an evolutionary perspective, we generated a much more accurate picture of fish venom evolution than was previously suggested using a strictly observational approach. To explore venom evolution, we began by taking a major stab at the fish tree of life by analyzing all suborders and known venomous groups of spiny-rayed (Acanthomorpha) fishes for the first time. Using the resulting family tree of fishes as a framework, we mapped the species that were known to be venomous on to this DNA-based tree. This provided an initial estimate of how many times venom evolved and allowed us to predict which fish species beyond the "knowns" should be venomous or could possibly be venomous. To test these predictions, we explored the museum collections and dissected scores of specimens to look at the detailed anatomy of fish venom glands and clarify how many times venom evolved on the fish tree of life. By working our way down the fish tree of life by comparing ever more distantly related fishes from the known venomous fishes, we could pinpoint the number of times venom evolved, the exact groups of fishes that are venomous, and revise the identity of venomous fishes. This type of research is occurring world wide based on the collections at The Field Museum, and similar institutions that house, maintain, and allow access to museum specimens for scientific research. This example is just one of the many stories surrounding research done at The Field Museum with collection-based research.

What the Fish? Episode 14: The Value and Role of Collection Data

Field Museum Collection Data

In previous What the Fish? podcasts, we have covered topics ranging from what makes a fish a fish to aquatic bioluminescence and sensory systems.  We have augmented these fishy topics with discussions surrounding the role scientists play in developing content for museum exhibits and the excitement, hardships, and discoveries made during fieldwork.  Herein, we present the first part of our What the Fish? collections-based research episodes exploring the value and role of Museum collections and their associated data in scientific investigation. To help us discuss the topic of the analysis of collections data, we are joined by Hannah Owens who is a doctoral candidate at The University of Kansas. Hannah combines museum collections data, fisheries data, and ecological data to explore the role of climate change in the evolutionary history and the biogeography of fishes. Hannah's research combines ecological niche, macroevolution, and climate data to explore the "fish stick" fishes or cods, hakes, and relatives from the order Gadiformes.  

What are collection data, and why are they useful?

When ichthyologists conduct their fieldwork, they collect much more than the specimens themselves.  Fish biologists minimally collect geographic (e.g., latitude and longitude) and temporal (date and time) data, but they frequently collect habitat information, depth, salinity, temperature, visibility, and a wealth of other ecological data that are databased along with the specimen identification and information in databases such as those at The Field Museum.  Individually, these records are valuable for ichthyologists interested in the distribution or biogeography of particular species, but when taken in aggregate (e.g., through pooled resources such as GBIF) these data can be explored in "meta-analysis" that can inform countless ecological and evolutionary studies. For example, predictive modeling of organismal distributions has brought these data together to better predict the expansion of introduced species, to predict the potential presence of animals or plants in unexplored regions, and to test for the impacts of climate change. These predictions and analyses are only going to become more critical as species continue to be introduced, species distributions continue to shrink toward extinction, fieldwork becomes more difficult, or large-scale climate change becomes increasingly studied. These collection data, based on well-curated specimens, are the only verifiable data that can be brought to bear on these questions. Distributional data that lack preserved specimens (vouchers) can always be questioned at a later date because the species identifications cannot be reassessed. This same value in being able to reassess species identifications based on whole-specimen vouchers is equally important for genetic or DNA-based research where the discovery of cryptic species (morphologically similar species representing  diagnosable and genetically different forms) is a frequent occurrence.  In cases where there are no voucher specimens to examine, researchers are required to return to the field to corroborate their molecular hypotheses.  These are just a few of the cases where specimens and their associated data have contributions well beyond ecology and evolutionary biology.  Listen to the podcast to learn additional examples! 

What the Fish? Episode 8: Exhibits – The Evolution of Scientific Communication

How is Field Museum science incorporated into our exhibitions?

Scientists at The Field Museum have the wonderful opportunity and responsibility to describe and explain recent discoveries in the fields of anthropology, botany, geology, and zoology to a worldwide audience of visitors through both our physical building in Chicago and the virtual world through our website, games, and other digital media such as the What the Fish? podcast.  For this episode, we were joined by Dr. Shannon Hackett, Associate Curator of Zoology, and Paola Bucciol, Exhibition Developer. We use the reopening of the Ronald and Christina Gidwitz Hall of Birds to discuss the interplay between the scientific and exhibition departments and the evolution of museum exhibitions.

The creation of new, specimen-rich, and engaging exhibits is a large investment.  Teams of Museum staff from exhibitions to research to information technologies to institutional advancement (to name just a few) all have to work together to create or modify permanent or temporary exhibitions.  It requires a lot work, time, and energy from a lot of creative people, and the museum has scores of small to large exhibitions on display each year.

One of the major goals of our exhibitions is to communicate our core principles and, where possible, the state of the art in the natural history disciplines to the public. Natural history museums began as a way to highlight biological, geological, and cultural diversity to people that might never have any other opportunity to view dinosaur skeletons, lions, or meteorites.  

While technology has made the world a smaller place, The Field Museum still provides the rare opportunity to see the actual animals, gems, or ancient tools. The Field Museum has more than 24 million specimens and artifacts, and these specimens and the research and collection staff that work with them all have stories to tell.  Some of our spectacular and best known specimens such as Sue the T. rex or The Tsavo Lions have well known stories, but there are thousands of additional stories that can be equally captivating or provide the “eureka” moment in a scientific discovery. Examples can be found throughout the exhibitions (e.g., Tiktaalik in the Evolving Planet exhibit) or our website (e.g., A Bird of Paradise with John Bates in The Field Revealed series).  For this reason, we emphasize Field Museum collections and research when we develop and expand our scientifically vetted physical and virtual exhibitions.

If you get a chance, stop by The Field Museum and check out some of the exhibitions that our own What the Fish? team and guests have recently worked on - the recently opened Ronald and Christina Gidwitz Hall of Birds or the Spring 2013 opening of The Creatures of Light.

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